Posted by Jeff on 11/01/2007 12:27:00 AM

Over our years together, Team Last Call has managed to piss off a wondrous variety of people.

We've received hate mail from a staggering cross-section of society, from members of the local government to doctors and lawyers to – from the looks of one letter – what we're assuming was either an angry toddler with a good understanding of conservative politics, or an angry conservative with the vocabulary and judgment of a toddler. Which we realize is redundant.

Most of the hate mail we receive is from one of three groups: Hummer drivers, republicans or people who actually listen to Nickelback on purpose. Put them all together, and you've got one big, seething, over-compensating, bad-taste-having group of people. Who can't spell.

Over the past few years, we've been called just about every name in the book. Some we appreciate more than others, if only because they at least show a little imagination.

Some of the more noteworthy ones include:

"Creepy Nazi freak."

"A hate monger and a criminal."

"A very small person with a very dark, hateful heart."

And our personal favorite:

"A gay."

Now, you might be thinking, "What is wrong with these people? I personally find Team Last Call witty, hilarious, illuminating and, above all else, really, really good-looking."

Thanks. We couldn't agree more. But we do have to admit that, with the possible exception of "a gay," we probably earned most of those names. We have a big mouth, and we know it. The way we figure it, if you're going to sit there poking a bear with a stick, you kind of have to accept some responsibility for the mauling to follow.

The problem is not that Team Last Call is mean. The problem is that we don't have an "off" switch. When we see something that deserves to be made fun of, we're drawn to it like Larry Craig to a bathroom stall.

We're not "out to get" anyone in particular, unless that person is evil, practices evil things or supports evil people who practice evil things. You know, Wal-Mart, Haliburton, Steelers fans – those kinds of people. Our motto is, "Hey, man, stop being evil or we will totally write jokes about you."

Apart from that, our main goal each month is simply to make lots and lots of jokes. Sometimes those jokes involve poking the bear. But other times, it's totally the bear's fault. For example, if that bear comes rolling down our street in a Hummer with a "Support Our Troops" sticker on the back, we really don't have any choice but to fire away. The joke is already there, right in front of our eyes. It's a punchline on wheels, getting ironically funnier with each gallon of gas it sucks down. We're not even writing the joke here. All we're doing is putting the joke into print. We are but vessels.

That being said, there is no easier way of writing a new column than by reprinting and making fun of our hate mail. We couldn't even tell you how many times we've been sitting at our computer, staring at a blank screen mere hours from our deadline when, like manna from heaven, into our inbox pops a little gem of incoherent meanness long enough to account for a good third of our word count. To the barely literate writers of those letters, we have this to say: thank you.

It is with that in mind that we would like to present you with Team Last Call's first annual Poke The Bear List, which involves a number of volatile subjects that we're sure will open up the minds of our readers, provoke discussion and, most importantly, make it much, much easier for us to reach our word count in future months.

We'll start with Hummer drivers, a favorite subject of ours if for no other reason that the fact that they, above all other readers, have so often shown their willingness to eschew things like spelling and grammar in favor of good, old-fashioned vitriol. Where would Team Last Call be today without such column fodder as, "If your [sic] not gay, then you have an inordinate fondness of the male genitalia"?

Clearly, it would be a pity to let this dialogue dry up. So, let's see … how about: Scientific studies show that people who drive Hummers are hung like gnats and, if their [sic] not gay, have an inordinate fondness for Larry Craig. Respond.

Next comes Nickelback, the Jerry Bruckheimer film of bands. These perm-haired knuckle-draggers represent the absolute lowest common denominator in music. They've taken art to a drooling, castrated, monkey-brained level that is only useful to the sexually confused jocks of red-state America who need a distraction from the fact that the towel boy makes them feel all tingly between their legs. Discuss.

Next we'll discuss the idiot developer who is lobbying to build a Wal-Mart location within our city's limits. This is the worst idea ever. Let's use a metaphor to illustrate:

Imagine that the city is your face, and that the developer is a plastic surgeon. Now imagine that the plastic surgeon is asking permission to purchase part of your face in order to build a gigantic ass on it. That is essentially what this numbnuts is proposing. Just imagine how many downtown shops a Wal-Mart would run right out of business. With this guy in town, it's clear that the last thing our city needs is another ass-face. Respond.

We'll conclude with the most obvious item on our list: George Bush. This one is such a no-brainer that it almost seems silly to write about it. Saying you don't like President Bush is like saying you're mad at Satan, or that you've had it up to here with theft and murder. It's just sort of implied. So instead of coming up with some kind of clever rant, we'll simply direct you to a helpful video that ably illustrates our feelings about ol' Dubya: Do a Google search for "asshole" and click on the first result.

OK, that's about all of the meanness we've got in us for the month. Now, for the love of God, let's see those letters. We took the time to make up a bunch of insults; the least you can do is return the favor. Ass-faces.

Posted by Jeff on 11/01/2007 12:12:00 AM
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With the release of their 2004 pop gem So Jealous, Tegan and Sara Quin established themselves as the indie-pop world’s twin queens of cuteness.
In the years that followed, they toured with everyone from The Killers to Neil Young, graced the year-end “best-of” list of nearly every magazine that counts and were famously covered by the White Stripes. As if that weren’t enough to make the gossip columns, Tegan and Sara also caused a stir as the world’s first pop duo to be comprised of identical twin Canadian lesbians.
On their highly anticipated sixth album, The Con, Tegan and Sara continue on their journey into the darkest depths of indie-pop. Produced by Death Cab’s Chris Walla, the record is at once enjoyably depressing and confusingly uplifting. Front to back, it’s the darkest, spookiest 34-minute pop hook you’ll hear all year. Team Last Call tracked down Sara at home in Montreal to talk about life as a twin, a lesbian and … oh yeah … a brilliant musician.

Team Last Call: The Con has a really melancholy feel. The songs are like this big tangle of relationships and personal issues that you’re caught up in.
Sara Quin: I’ve never sat down and thought, “I’m going to write a really happy song. It’s gonna sound really happy and the lyrics are going to be really happy!” I always sit down and write songs that feel heart-wrenching.
There’s an introspective, melancholy nature to life and to relationships. I was just reading an e-mail today from this girl who was madly in love, and yet her e-mail sounded so sad. And I was like, “What is it about love that makes us feel sad?” I wonder if it’s the intuitive, maybe even subconscious understanding that ultimately you’re alone, and even if you’re connected to someone, it’s just a matter of time until you’re not. I know that’s kind of a pessimistic view of love and relationships. [laughs] I think that Tegan and I both have a tendency to sort of fixate on those topics, and we sort of both live on that emotional plane.

TLC: How does having a twin sister in your band affect the whole dynamic?
SQ: I think there’s something unconditional about the relationship that Tegan and I have. We’re related and we love each other. The relationship between us is different than, say, the relationship I have with my drummer. If I’m really pissed at my drummer, I have to think of a way to deal with it that is professional and appropriate. I’m his employer and we’re friends. There are these awkward things you have to navigate all the time with other humans. But there’s something about your family where you can bypass all of that and just get to the root of it. You can go, “You’re a fucking asshole. You’re driving me insane,” and then just move on.

TLC: “Identical twin lesbians” is like a music journalist’s dream headline. Do you think people make too much of it?
SQ: I certainly wouldn’t highlight that or focus on it. It’s as relevant or irrelevant as, you know, whether or not somebody is heterosexual. Me and Tegan being gay is just a part of who we are, and there’s no part of me that feels ashamed about that or uncomfortable about that. But on the other hand, how many articles start with, “White, heterosexual …”

TLC: Right! “White heterosexual singer-songwriter John Mayer is releasing a new album …”
SQ: [laughs] But I don’t write the articles. I don’t choose to focus on those things. We try to be interesting and talk about a lot of different things. I mean, I could talk for 10 years about my writing process and my life and my views on politics and philosophy. I’m an intelligent person, and I can pretty much riff on any topic you can give me. But ultimately, almost every article that has ever come out talks about exactly the same things and mentions that we’re gay and identical twins. It’s managed to not hurt what is a really satisfying career. We have a really great audience and support from the media, so I try not to complain too much.

TLC: As a fan of your music, I’m not quite convinced that I should really care about your sexuality. It’s more of a distraction than anything.
SQ: I always find it interesting that a guy will be like, “I mean, I really relate to your music. Why do you think that me, a guy, can relate to what you do, when you’re gay?”
In a weird way, we have so much in common, me and the hetero dudes. We both like girls! We’re singing about girls, you like girls – can’t we all just get along? [laughs]

TLC: So many things have happened for you guys in the past 10 years, any of which you could look at and kind of have your mind blown.
SQ: Oh my god, yes. I mean, looking at it all on paper is mind-blowing. But when you’re living through it, it’s just a job. It’s been 10 years of work, and there’s like 360 days of every year that are hard and boring. You’re out there fighting tooth and nail to get paid 50 bucks. Then something great happens, and you’re like, “Thank god! I was just about to quit!”
We really want to make sure that we establish a career that’s not going to disappear overnight. The fact that we can go out and tour, and a lot of times fund our own tours internationally, that’s really exciting to us. But at some point I’m going to have to figure out exactly how it is that I’m going to put shoes on my kids’ feet and retire at some age. In terms of our career, I just want to keep making records and keep playing bigger shows and meeting great artists and writing great records. I can’t imagine that ever stopping.

Posted by Jeff on 11/01/2007 12:11:00 AM


There are essentially two types of Jimmy Eat World songs – loud, anthemic rockers and sensitive, syruppy pop tunes. On its new album, Chase This Light, the band sticks to the formula, but ups both the bombast and the romanticism. It’s like the band spent the past three years lifting weights all day and freebasing packets of Sweet’N Low all night. The rock songs are more athletic, the pop songs are more unapologetic; sometimes they’re even the same song. It’s Jimmy Eat World running at 11.
The result is the musical equivalent of a John Hughes film – something big, dramatic, joyful and borderline cheesy (and aware of it, and not caring about it) that evokes memories of high school football games, first kisses, breakups, makeups and the girlfriend you had for one week at summer camp. Basically, Chase This Light is the soundtrack to the moment when Samantha exits the church and sees Jake Ryan waiting for her across the street.
Team Last Call caught up with guitarist Tom Linton three days after the album’s release in mid-October. He was scuttling through the streets of Anaheim, rushing from an in-store signing session to a sold-out show, and still managed to sound chipper despite the fact that we were probably his 30th interview of the day. That’s rock and roll for you.

Team Last Call: Are you guys listening to a Disney soundtrack?
Tom Linton: [laughs] We’re, like, in downtown Disney and there are speakers above my head. We’re playing the House of Blues in Anaheim. I’ve never been here. I don’t think it’s connected to Disneyland – unless it is.

TLC: So, Chase This Light feels overall just much bigger, with a lot of those get-up-and-go songs. Was that a goal at all?
TL: Every time we put out a record, we just want it to be better than the last record. With this record, we were able to record it in Tempe in our practice space. I think one of the goals we had was we just wanted to have over 20 songs to choose from, and we ended up with almost 30. I think we definitely wanted each song to be different. Sometimes you buy records and a lot of songs sound the same. One thing we try to do is have every song stand out on its own, and I think we were able to do that on this record.

TLC: You guys have like two totally different kinds of fans – the people who have been following you for a long time and think of albums like Clarity as being one of those life-soundtracks, and people who got into you because of “The Middle.” Is it weird for you to be straddling that?
TL: It’s always nice when you put out a record to see new faces coming to the show. We don’t really put a barrier on people that like our records. We just try to make everyone happy. We go to the website and see what people want to hear and stuff like that.

TLC: It seems like eight out of 10 bands on MySpace list you guys as an influence. Has it been weird transitioning into, like, the daddies of indie-rock?
TL: It’s kind of weird. It makes us feel kind of old, like old men. We’re all in our 30s, but I think we’re playing better now than we have ever before. It’s flattering that people list us as one of their favorite bands. It feels good.

TLC: You’re about to hit the 15-year mark. Did you ever think you guys would be around this long?
TL: It’s definitely weird. I think when we all played in bands when we were kids – at least the bands that Rick [Burch, bassist] and I were in – it seemed like they would only last for six months or something. There were always people leaving the band. I think after one year with this band it was like a major mark for me. It’s pretty crazy that we’ve been able to play for as long as we have. Everything seems like it’s working out so far.

TLC: After all of the punches you guys took from records labels over the years, hopefully you’ve gotten the bad stuff over with and can do another 15.
TL: It’s definitely crazy. We’ve gone through a lot of stuff with record labels. People are getting fired all the time and bands are getting dropped. So I think it’s just something that we’re going to have to deal with – especially now with people not buying music as much. It’s an interesting time right now. We’ll see what happens.

TLC: People have always written about you guys like the little emo band that could. You were the first band that broke through the mainstream that people stuck that label on. Do you feel like you’ve maybe, finally, been able to shrug off that “emo” label?
TL: No, I don’t think so. [laughs] It’s funny, I was telling Jim [Adkins, frontman] the other day, like, every interview, they always ask, “All right, so you guys are like the leaders of emo?” Every interview people always bring up emo. I guess we just kind of laugh at it. We think it’s funny, and there’s nothing really we can do about it.

TLC: It’s funny, because you could make an argument that emo came and went before you guys were ever successful.
TL: Yeah, totally. I have no idea why it got tagged on us, but there’s nothing we can do about it.

TLC: So, what’s the experience been like now that this album’s out the door?
TL: I think all of our shows so far – we’re not playing stadiums or anything – but all of the shows have been sold out. The record got leaked on the internet a couple weeks ago, so a lot of the kids are out singing the new songs already. It seems like they’re all into it, so it’s all been good.
*Reprinted from Fly Magazine